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Modern Raglan Sweater Adjustments to Get a Better Fit

raglan shaped shirt

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Have you ever knit a raglan sweater that just didn’t fit, even if you met gauge? Maybe you had a raglan cardigan that kept falling off your shoulders? Or maybe it was a pullover that had extra fabric in the armpits? Why does this happen? What’s the solution? And how do you find patterns with these solutions in them?


The Basic Top Down Seamless Raglan Structure Explained

Top-down seamless raglan sweaters start with the neckline and typically have 8 – 10 increase locations depending on the sweater’s neckline and whether it is a pullover or a cardigan.

top down seamless raglan pullover construction
Basic Top Down Seamless Raglan Pullover

For a basic raglan crew neck pullover, the entire neckline will be cast on/chained and joined in the round with 8 increased locations. These increased locations are placed on both sides of a center seam at the edge of the sleeve stitches.

top down seamless raglan cardigan construction
Basic Top Down Raglan V-Neck or Cardigan

For a V neck shape the beginning cast on/chain is worked flat for a few rows and there are additional increases placed along the outer edges of the front panel. This is also how top-down seamless raglan cardigans are shaped until their desired front width.

The consistent rate of increases stacked on top of each other at the edges of the sleeves creates four straight seamlike lines running from the neckline to the underarm at the point at which the sleeve stitches are separated from the body. This is typically at the end of the yoke when the design reaches its full bust measurement.


The Problems

While this construction is very simple to create and easy to follow it can create some problems for a proper fit.

1. Equally Dimensioned on the Front and Back

The constant rate of increases assumes that the upper body circumference increases equally in the front and back. If your cross-back measurement is close to half your full bust circumference then this shape will fit you just fine, but if your cross-back measurement is less than half of your full bust circumference, then this sweater will not fit you well at all. The larger a women’s full bust circumference in comparison to her upper bust circumference, the more unflattering the fit. For example, if a woman with a large difference between their upper bust measurement and their full bust measurement makes the size to their full bust measurement then they will have too much fabric in the back of their sweater as well as their underarm. If they only knit to their upper bust measurement instead the sweater will be tight in the armpits and will not fit their full bust without additional alterations.

An equally dimensioned front and back also creates a problem for how the neckline sits on the shoulders. There is a natural curve to the top of your back shoulders and without the extra rows on the back to account for that curve the neckline may sit awkwardly or be uncomfortable.

2. Poor Armhole/Armscye Shaping

Set in sleeve shaping vs raglan armhole shaping
Set In Sleeve Shaping vs Raglan Shaping

The armscye shaping on a topdown seamless raglan is a straight line that does not reflect the natural curve of the armpit like a typical set-in sleeve construction. This creates excess fabric where the armpit curves inwards. This is not as noticeable in raglan-style t-shirts made out of thin woven cotton fabric, but it is very noticeable when made using a worsted weight yarn or thicker.

This construction also lacks a seam at the top of the shoulder which helps keep the weight of the fabric from slipping off the shoulders which is a huge problem for raglan shaped cardigans.


The Solution

Adjust the Shaping

Patterns are designed based on measurement averages which means it’s already unlikely that it uses your exact measurements. It’s not unusual to have to do some pattern adjusting. Luckily modern pattern designers have come up with adjustments for seamless raglan shaping that offer a better fit.

5 Modern Raglan Adjustments

Here are five of the most common raglan adjustments that modern pattern designers use to create a better-fitting top-down seamless sweater.

1. Short Row Shaping at the Back Neck

To allow for a better fitting neckline on crew neck raglan pullovers, designers will add short row shaping along the back of the neck to raise the back above the front to account for the raised curved shape of the upper back shoulders. You can usually tell if a designer has made this adjustment by looking at the pattern’s photos. It is also often mentioned in the description of the pattern.

2. Knit/Crochet to the Upper Bust Measurement and Cast On/Chain Extra Underarm Stitches  (Modified Raglan)

modified raglan shaping
Set In Sleeve vs Raglan vs Modified Raglan

Knitting/crocheting to the upper bust measurement instead of the full bust eliminates the excess fabric in the inner curve of the armpit. To make sure the sweater will still fit the full bust measurement extra underarm stitches are added when separating the sleeves from the body. This massive increase at the underarm mimics the shape needed to contour the rapid outward curve of the lower armpit. This concept is explained in-depth and drawn out beautifully over on Tess Knits website. This adjustment is usually built into the pattern and can be a difficult adjustment to notice in a pattern unless the designer has described making this adjustment. Sometimes designers will describe this kind of adjustment as a modified raglan.

3. Change the Rate of Increases to Contour Body Curves (Compound Raglan)

compound raglan shaping
Set In Sleeve vs Raglan vs Compound Raglan

Instead of a steady increase rate, the compound raglan starts off with a slower rate of increases at the top and slowly increases faster and faster closer to the end of the yoke. The increases stay stacked creating the iconic raglan line, but the changing rate of increases curves the line towards the underarm. This adjustment better mimics the shape of the armpit resulting in a better fit. You can find this adjustment made in raglan sweater designs described as compound raglans such as the Corinne Oval Pullover by Jennifer Wood. That pattern as well as several other sweaters using compound shaping can be found in Jennifer’s book Refined Knits.

4. Remove Early Sleeves Increases

Early sleeve increases removed raglan modification
Set In Sleeve vs Raglan vs Early Sleeve Increases Removed

This is another method that adjusts the traditional raglan’s even rate of increase. Instead of increasing the sleeves starting at the cast on/chain, increases are made on the front and back sections only, until a portion of the full length at the top of the shoulder has been reached. This shaping hugs the shoulder and provides a snug fit that helps keep raglan-shaped cardigans from falling off. This type of shaping can be seen in the Beekeeper Cardigan by Marie Greene. She describes it as “a unique saddle shoulder shaping that hugs your shoulders.”

5. Seamless Top Down Set In Sleeves – The Cocoknits Method

Set in Sleeve vs Raglan vs Cocoknits Method

This method is taught in the Cocoknits Sweater Workshop by Julie Weisenberger and is a heavy modification of the traditional raglan. It is a top down seamless sweater with set-in sleeves. There is short row shaping to contour the upper back and tops of the shoulder. The pattern also uses a color-coded worksheet that helps you increase at the perfect rates to fit your body’s measurements. The Cocoknits Sweater Workshop book is full of sweaters designed by Julie Weisenberger that use this method.


How to Find Top Down Seamless Sweater Patterns That Will Fit Well

Adjusted raglan shaped sweaters are becoming more and more common. Here are some tips for finding better fitting seamless sweaters.

  • Look to see if any adjustments are mentioned in the pattern’s description. Look for words such as “modified raglan” or “compound raglan”.
  • Look for patterns described as top down and seamless that omit the word raglan, or that describe the shaping as something else like the description of  “unique saddle shoulder shaping” in the Beekeeper Cardigan.
  • Look at the pattern’s photos taking particular note of the fit on the neckline and the armpit.
  • Look for pictures of the sweater being modeled on someone that has similar body measurements as you. Y
  • Check the patterns schematic & measurements making note of the cross-back measurement if provided and compare that to the bust measurement.
  • Ffollow any of the sweaters out of the Cocoknits Sweater Workshop book for a top-down seamless sweater that will fit your body like a glove.

For more information check out these great resources:

Thinking Beyond the Pattern by Jenna Wilson

Lisa’s List: 6 Armholes and How to Make them Work for Your Body by Lisa Shroyer

Focus on Fit: How to Refine Sweater Fit with Compound Raglan Shaping by Deb Gerish

Ask the Knitting Teacher: What Can I Do About Baggy Raglan Sleeves? by Tess Knits

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The 4 Biggest Design Mistakes That Lead to Massive Frogging…and How to Avoid Them

frogging knitted yarn

As a new designer I’ve spent countless hours ripping back designs and I’ve narrowed it down to the 4 biggest knitting and crochet design mistakes that end in massive frogging sessions. The great news is that these mistakes can be easily avoided! The bad news is that it takes time outside of working on your actual sample to do this but trust me, it is worth it in the end. You really can save a massive amount of time. 

I’ve made a video outlining this blog post if you’re more of a visual person.

Otherwise you can read everything below, real quick before we get started…

What is Frogging?

If you haven’t heard of this term before it comes from RIP-IT, RIP-IT. It sounds very similar to the RIBBIT of a frog but stands for ripping out your knit or crochet project. Sometimes we frog a row,  sometimes we frog an entire sweater. Frogging can be especially painful when you experience it for the first time, when you’re on a deadline, or when you’re undoing a large amount of work. This is why I’m also sharing 2 coping mechanisms for frogging at the end of this article.


DISCLAIMER

This post is about avoiding massive frogging when designing a new pattern and is not meant to be interpreted as  “the only way to design”.

Now let’s get into the major mistakes that lead to frogging when designing a new pattern.


4 Biggest Design Mistakes That Lead to Massive Frogging…and How to Avoid Them

Mistake #1

Not Swatching 

crochet gauge swatch with big red cross

Without a swatch, you are LITERALLY guessing at everything and purely winging it. It may feel like you’re saving time by skipping the swatch and if you do everything right on the first try, sure, you are saving a little time, but who does everything right on the first try? ESPECIALLY when you are trying to create something absolutely new and original!? Swatching provides the essential information needed to plan a design. It gives you the information necessary to calculate how many stitches you’ll need for your finished dimensions and how much yardage you’ll need to make the full sized project. It confirms whether or not you’re happy with the density, drape, and overall look and feel of how your design behaves. It also confirms things like whether you’re happy with the color combination you picked out. 

The Fix

Don’t skip swatching! It’s a simple fix but hard to execute. It’s tempting to skip swatching due to  the commonly held false belief that skipping a swatch will save you time. Instead replace that belief with the more accurate statement that swatching almost always saves more time than it takes. This can become a new mantra to repeat to yourself to help curb impulsivly starting without a proper plan.

Mistake #2

Not Including Shaping in The Swatch

large crochet swatch with no shaping

Including shaping in your swatch gives you the opportunity to test any concepts on a small scale. You’ll be able to get a good idea of whether or not you’re shaping plan will work out and behave the way you intend it to. It also gives you the opportunity to ensure that your stitch pattern and shaping perform together the way you think they will such as whether pattern repeats line up or not. Your swatch will show most shaping problems right away allowing you to fix problem areas before your project gets too large. This will greatly reduce the amount of frogging necessary and potentially save you several hours of work.

The Fix

Think about the overall construction of your design and plan to include its shaping in your swatch.  This could include any increases or decreases planned for shaping a shawl, shaping the yoke of a sweater, or shaping the crown of a hat.

Mistake #3

Making The Swatch Too Small

very small crochet swatch

This is one of the main reasons a swatch will lie. Your finished design is probably not going to be a 4” square (the most commonly recommended swatch size) so it is likely to behave differently in its larger and heavier form, not to mention the minor changes in your gauge that come from the way you hold and work on a small piece of fabric versus a large one. Making a swatch that’s too small also makes it difficult to “see it all” depending on the stitch pattern, construction, and colors you choose. This is especially true for larger designs like sweaters, blankets, and large shawls. For example, I’m currently working on a shawl where my main stitch pattern is about 6 inches wide and 12” long. To minimize frogging I have to swatch the entire stitch pattern before I start trying to shape it into its full size.  

The Fix

Make your swatch as large as necessary within reason. Ensure your swatch size will give you a good idea of how your full stitch pattern or color pattern will look and how gravity and wear will affect it. The larger your designs finished size, pattern repeat, or color repeat, the larger your swatch should be. A 4” square can be a starting point, but I definitely wouldn’t recommend making a swatch smaller than that. 

Mistake #4

Making a Mistake in the Math 

At some point, you made a typo in the math, used the wrong number, used the wrong formula, or are missing a step of the calculations necessary to create your design. Let’s say you did the math for the construction of a circular yoke sweater but you forgot to check that the rate of your increases lined up with the multiple of your stitch pattern. As you get halfway down the yoke you may realize that things aren’t lining up and that you have to rip back several hours of work (ask me how I know…). 

The Fix

You can double and triple check your math, ask a friend to look it over, or pay a tech editor to check it before you start.


Why I Don’t Hate Frogging As Much Anymore

It comes down to a change in behavior and a change in mindset. My mental attitude towards frogging has changed therefore my relationship with frogging has changed. Don’t get me wrong, I still don’t like frogging whatsoever, but I’ve made changes to my behavior and my mindset that make it easier for me to deal with the times that I do end up ripping out hours of work.

2 Coping Mechanisms for Frogging

#1 A Change in Mindset

Accept Frogging as Part of The Process

mindset

Whether you’d like to admit it or not frogging is a part of the designing process and the sooner you make peace with that, the easier it will become. The decision to frog a design almost always comes from a blatant mistake or disconnect between your expectations and reality as the design progresses. This is all part of the learning process! Think about it, you’re working on creating something that has never been made before. You can do your best to plan, and avoid the major mistakes discussed above, but sometimes that’s not going to be enough. You’re testing something that is not only most likely new to you but also hopefully new to everyone! It would be ludicrous if you got everything right all of the time on the first try with no mistakes. While you can take steps to minimize frogging it is not completely avoidable altogether. It’s best to both acknowledge and accept its part in the process.

#2 A Change in Behavior

Calculate Your Time

Knowing how long it takes to create a design can be very helpful to put things into perspective. If you make a mistake at the end of your design and need to frog the entire thing, how much time will you lose exactly? Knowing these numbers upfront helps curb any impulsivity that’s urging you to rush through the swatching and planning process. It also helps when it comes to planning for deadlines. Take the time to swatch and plan your design. Use a spreadsheet to calculate how many total stitches are in your entire design. Once you’ve started making your sample set a timer for a few minutes. Working at a comfortable pace, see how many stitches you can complete before the timer goes off. The longer you time yourself the more accurate your predictions will be. For the ease of math, let’s say you timed yourself for a minute and you were able to create 20 stitches and you’re designing a blanket with a total of 20,000 stitches. 20,000 stitches / 20 stitches per minute = 1000 minutes worth of work to create the blanket which equals over 16 and a half hours. Knowing how much time you stand to lose makes it easier to slow down and plan properly and it also makes it easier to prepare for deadlines. Make sure you have enough days of padding to account for the possibility of having to frog more than half of the project.


I hope you found this post both informative and valuable. I hope this article will be able to save hundreds of designers thousands of hours.