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Modern Raglan Sweater Adjustments to Get a Better Fit

raglan shaped shirt

This post contains affiliate links. If you make a purchase following a link, I’ll receive a small commission. Thank you for the support!


Have you ever knit a raglan sweater that just didn’t fit, even if you met gauge? Maybe you had a raglan cardigan that kept falling off your shoulders? Or maybe it was a pullover that had extra fabric in the armpits? Why does this happen? What’s the solution? And how do you find patterns with these solutions in them?


The Basic Top Down Seamless Raglan Structure Explained

Top-down seamless raglan sweaters start with the neckline and typically have 8 – 10 increase locations depending on the sweater’s neckline and whether it is a pullover or a cardigan.

top down seamless raglan pullover construction
Basic Top Down Seamless Raglan Pullover

For a basic raglan crew neck pullover, the entire neckline will be cast on/chained and joined in the round with 8 increased locations. These increased locations are placed on both sides of a center seam at the edge of the sleeve stitches.

top down seamless raglan cardigan construction
Basic Top Down Raglan V-Neck or Cardigan

For a V neck shape the beginning cast on/chain is worked flat for a few rows and there are additional increases placed along the outer edges of the front panel. This is also how top-down seamless raglan cardigans are shaped until their desired front width.

The consistent rate of increases stacked on top of each other at the edges of the sleeves creates four straight seamlike lines running from the neckline to the underarm at the point at which the sleeve stitches are separated from the body. This is typically at the end of the yoke when the design reaches its full bust measurement.


The Problems

While this construction is very simple to create and easy to follow it can create some problems for a proper fit.

1. Equally Dimensioned on the Front and Back

The constant rate of increases assumes that the upper body circumference increases equally in the front and back. If your cross-back measurement is close to half your full bust circumference then this shape will fit you just fine, but if your cross-back measurement is less than half of your full bust circumference, then this sweater will not fit you well at all. The larger a women’s full bust circumference in comparison to her upper bust circumference, the more unflattering the fit. For example, if a woman with a large difference between their upper bust measurement and their full bust measurement makes the size to their full bust measurement then they will have too much fabric in the back of their sweater as well as their underarm. If they only knit to their upper bust measurement instead the sweater will be tight in the armpits and will not fit their full bust without additional alterations.

An equally dimensioned front and back also creates a problem for how the neckline sits on the shoulders. There is a natural curve to the top of your back shoulders and without the extra rows on the back to account for that curve the neckline may sit awkwardly or be uncomfortable.

2. Poor Armhole/Armscye Shaping

Set in sleeve shaping vs raglan armhole shaping
Set In Sleeve Shaping vs Raglan Shaping

The armscye shaping on a topdown seamless raglan is a straight line that does not reflect the natural curve of the armpit like a typical set-in sleeve construction. This creates excess fabric where the armpit curves inwards. This is not as noticeable in raglan-style t-shirts made out of thin woven cotton fabric, but it is very noticeable when made using a worsted weight yarn or thicker.

This construction also lacks a seam at the top of the shoulder which helps keep the weight of the fabric from slipping off the shoulders which is a huge problem for raglan shaped cardigans.


The Solution

Adjust the Shaping

Patterns are designed based on measurement averages which means it’s already unlikely that it uses your exact measurements. It’s not unusual to have to do some pattern adjusting. Luckily modern pattern designers have come up with adjustments for seamless raglan shaping that offer a better fit.

5 Modern Raglan Adjustments

Here are five of the most common raglan adjustments that modern pattern designers use to create a better-fitting top-down seamless sweater.

1. Short Row Shaping at the Back Neck

To allow for a better fitting neckline on crew neck raglan pullovers, designers will add short row shaping along the back of the neck to raise the back above the front to account for the raised curved shape of the upper back shoulders. You can usually tell if a designer has made this adjustment by looking at the pattern’s photos. It is also often mentioned in the description of the pattern.

2. Knit/Crochet to the Upper Bust Measurement and Cast On/Chain Extra Underarm Stitches  (Modified Raglan)

modified raglan shaping
Set In Sleeve vs Raglan vs Modified Raglan

Knitting/crocheting to the upper bust measurement instead of the full bust eliminates the excess fabric in the inner curve of the armpit. To make sure the sweater will still fit the full bust measurement extra underarm stitches are added when separating the sleeves from the body. This massive increase at the underarm mimics the shape needed to contour the rapid outward curve of the lower armpit. This concept is explained in-depth and drawn out beautifully over on Tess Knits website. This adjustment is usually built into the pattern and can be a difficult adjustment to notice in a pattern unless the designer has described making this adjustment. Sometimes designers will describe this kind of adjustment as a modified raglan.

3. Change the Rate of Increases to Contour Body Curves (Compound Raglan)

compound raglan shaping
Set In Sleeve vs Raglan vs Compound Raglan

Instead of a steady increase rate, the compound raglan starts off with a slower rate of increases at the top and slowly increases faster and faster closer to the end of the yoke. The increases stay stacked creating the iconic raglan line, but the changing rate of increases curves the line towards the underarm. This adjustment better mimics the shape of the armpit resulting in a better fit. You can find this adjustment made in raglan sweater designs described as compound raglans such as the Corinne Oval Pullover by Jennifer Wood. That pattern as well as several other sweaters using compound shaping can be found in Jennifer’s book Refined Knits.

4. Remove Early Sleeves Increases

Early sleeve increases removed raglan modification
Set In Sleeve vs Raglan vs Early Sleeve Increases Removed

This is another method that adjusts the traditional raglan’s even rate of increase. Instead of increasing the sleeves starting at the cast on/chain, increases are made on the front and back sections only, until a portion of the full length at the top of the shoulder has been reached. This shaping hugs the shoulder and provides a snug fit that helps keep raglan-shaped cardigans from falling off. This type of shaping can be seen in the Beekeeper Cardigan by Marie Greene. She describes it as “a unique saddle shoulder shaping that hugs your shoulders.”

5. Seamless Top Down Set In Sleeves – The Cocoknits Method

Set in Sleeve vs Raglan vs Cocoknits Method

This method is taught in the Cocoknits Sweater Workshop by Julie Weisenberger and is a heavy modification of the traditional raglan. It is a top down seamless sweater with set-in sleeves. There is short row shaping to contour the upper back and tops of the shoulder. The pattern also uses a color-coded worksheet that helps you increase at the perfect rates to fit your body’s measurements. The Cocoknits Sweater Workshop book is full of sweaters designed by Julie Weisenberger that use this method.


How to Find Top Down Seamless Sweater Patterns That Will Fit Well

Adjusted raglan shaped sweaters are becoming more and more common. Here are some tips for finding better fitting seamless sweaters.

  • Look to see if any adjustments are mentioned in the pattern’s description. Look for words such as “modified raglan” or “compound raglan”.
  • Look for patterns described as top down and seamless that omit the word raglan, or that describe the shaping as something else like the description of  “unique saddle shoulder shaping” in the Beekeeper Cardigan.
  • Look at the pattern’s photos taking particular note of the fit on the neckline and the armpit.
  • Look for pictures of the sweater being modeled on someone that has similar body measurements as you. Y
  • Check the patterns schematic & measurements making note of the cross-back measurement if provided and compare that to the bust measurement.
  • Ffollow any of the sweaters out of the Cocoknits Sweater Workshop book for a top-down seamless sweater that will fit your body like a glove.

For more information check out these great resources:

Thinking Beyond the Pattern by Jenna Wilson

Lisa’s List: 6 Armholes and How to Make them Work for Your Body by Lisa Shroyer

Focus on Fit: How to Refine Sweater Fit with Compound Raglan Shaping by Deb Gerish

Ask the Knitting Teacher: What Can I Do About Baggy Raglan Sleeves? by Tess Knits

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Free Knitting and Crochet Patterns Are Not Free

Free patterns are not free

Free knitting and crochet patterns are not free. Just because you didn’t pay for their cost doesn’t mean there isn’t a cost associated with them. So who is paying that cost? Why do they do it? What is the cost?  How do free patterns make money? Let’s answer those questions!

Why Talk About It?

Because I think there are some common misconceptions floating around about free patterns, but also because I hear people say things like “I don’t pay for patterns, I only use free ones.” I also think it’s important to spread awareness on this topic so people can make informed decisions when it comes to judging designers for offering free patterns vs. pay-for patterns. There is a demographic of people who think designers charge too much for their patterns, but here’s the real tea, even if a pattern is free, there is still a value associated with it. On the flip side, there are people who think designers shouldn’t offer free patterns at all because it perpetuates the idea that patterns shouldn’t be valued or paid for by customers. As a designer, personally I have a variety of both free and pay-for patterns. Hopefully sharing this information will help spread awareness and clear the air.

Patterns Aren’t Free, They Have Costs

What are the costs associated with knit and crochet patterns?

• Time to Create Pattern (Concept, Sketches, Swatches, Sample, Pattern Writing)

• Materials (Yarn, Tools, Notions)

• Technical Editing

• Testing

• Publishing (Printing, or uploading to ecommerce (fees) / blog)

• Marketing (Photography (including editing), Videography, Graphic Design, Blog Post, SEO Research, Social Media )

• General Business Expenses (Equipment/Services necessary to execute tasks i.e. computer, software, website expenses)

How much money do patterns typically cost? 

This number ranges widely depending on the size and complexity of the pattern and the chosen marketing strategies. There are several marketing strategies available and marketing costs can add up quickly the more marketing you do. Keep in mind, organic social media marketing isn’t free either, it still has time costs associated with it!

As an example I’ll share the costs associated with my Two Ways to Crochet it Right Shawl

  • Time to Create Pattern, 11 hours @ $25/hr = $275 
    • (Concept, Sketch, Swatch 1hr, Sample 8hrs, Pattern Writing/Layout 2 hours )
  • Materials, $58 Yarn
  • Tech Editing, $40
  • Testing, 2 hours @ $25/hr = $50 
    • (Creating signup form, survey form, and communicating with volunteer testers)
  • Publishing, 2 hours @ $25/hr = $50 
    • (Uploaded to Ravelry, Etsy, my website, and Ribblr (this one alone took an hour))
  • Marketing, 7 hours @ $25/hr = $175 (Photography (3hrs = 1 hr x 2 people for photoshoot; 1 hr for editing), 1hr graphic design, 2hr social media)

Total Cost (not including general business expenses)

$648

That pattern sells for $6.

How many $6 pattern sales do I need to cover just the cost?

108 (anything over that starts to generate profits)

How many copies have I sold to date?

Only 1 but that’s an entirely different topic…

If this is how much a pattern costs how can people offer patterns for free?

So Who’s Paying for Free Patterns If It’s Not the Customer?

Funding Free Patterns


Instead of relying on customers to cover the costs of a pattern, designers rely on other businesses to cover the costs (and potentially generate profits).

4 Ways ‘Free Pattern’ Costs are Covered by Other Businesses

#1 Copyright Purchases

Yarn companies and local yarn stores will purchase full or shared pattern rights in order to help market and sell their products (yarn). This grants the company legal ownership and rights to distribute the pattern for free (or for sale). The terms of the agreement are typically outlined in a contract and a one-time fee is paid to the designer. 

#2 Sponsorships 

Companies will cover some or all of the costs of a pattern in exchange for advertising purposes through sponsorships. This is a common advertising technique used by yarn companies. Sponsorship is generally the reason you’ll see patterns that don’t offer a general yarn weight or information about yarn substitutions. This is because yarn companies most likely provided the yarn for the pattern in exchange for the pattern recommending only their yarn. 

#3 Advertisements

Big businesses have large marketing budgets and shell out big bucks to advertising companies like Google AdSense, MediaVine, AdThrive, and YouTube. Placing advertisements on a free pattern blog post or a free pattern video on YouTube helps cover pattern costs and potentially earns profits. The amount of money generated from advertisements relies heavily on having high traffic (among other factors).

#4 Affiliate Programs

Other businesses such as Amazon Affiliates, CJ Affiliate, and ShareASale offer affiliate programs where you can get a portion of a sale by referral. This works well for any digital pattern (on a blog or pdf) that allows you to embed direct links. Income from affiliate marketing can fund the cost of a pattern and even generate profits if the pattern is leading to sales for that linked product, like a specific yarn or tool for example.

So as you can see, other businesses can cover the costs and potentially create large profits for free patterns.

How large you ask? Check out some of the real income reports available online.

Crochet Income Reports to Check Out

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The 4 Biggest Design Mistakes That Lead to Massive Frogging…and How to Avoid Them

frogging knitted yarn

As a new designer I’ve spent countless hours ripping back designs and I’ve narrowed it down to the 4 biggest knitting and crochet design mistakes that end in massive frogging sessions. The great news is that these mistakes can be easily avoided! The bad news is that it takes time outside of working on your actual sample to do this but trust me, it is worth it in the end. You really can save a massive amount of time. 

I’ve made a video outlining this blog post if you’re more of a visual person.

Otherwise you can read everything below, real quick before we get started…

What is Frogging?

If you haven’t heard of this term before it comes from RIP-IT, RIP-IT. It sounds very similar to the RIBBIT of a frog but stands for ripping out your knit or crochet project. Sometimes we frog a row,  sometimes we frog an entire sweater. Frogging can be especially painful when you experience it for the first time, when you’re on a deadline, or when you’re undoing a large amount of work. This is why I’m also sharing 2 coping mechanisms for frogging at the end of this article.


DISCLAIMER

This post is about avoiding massive frogging when designing a new pattern and is not meant to be interpreted as  “the only way to design”.

Now let’s get into the major mistakes that lead to frogging when designing a new pattern.


4 Biggest Design Mistakes That Lead to Massive Frogging…and How to Avoid Them

Mistake #1

Not Swatching 

crochet gauge swatch with big red cross

Without a swatch, you are LITERALLY guessing at everything and purely winging it. It may feel like you’re saving time by skipping the swatch and if you do everything right on the first try, sure, you are saving a little time, but who does everything right on the first try? ESPECIALLY when you are trying to create something absolutely new and original!? Swatching provides the essential information needed to plan a design. It gives you the information necessary to calculate how many stitches you’ll need for your finished dimensions and how much yardage you’ll need to make the full sized project. It confirms whether or not you’re happy with the density, drape, and overall look and feel of how your design behaves. It also confirms things like whether you’re happy with the color combination you picked out. 

The Fix

Don’t skip swatching! It’s a simple fix but hard to execute. It’s tempting to skip swatching due to  the commonly held false belief that skipping a swatch will save you time. Instead replace that belief with the more accurate statement that swatching almost always saves more time than it takes. This can become a new mantra to repeat to yourself to help curb impulsivly starting without a proper plan.

Mistake #2

Not Including Shaping in The Swatch

large crochet swatch with no shaping

Including shaping in your swatch gives you the opportunity to test any concepts on a small scale. You’ll be able to get a good idea of whether or not you’re shaping plan will work out and behave the way you intend it to. It also gives you the opportunity to ensure that your stitch pattern and shaping perform together the way you think they will such as whether pattern repeats line up or not. Your swatch will show most shaping problems right away allowing you to fix problem areas before your project gets too large. This will greatly reduce the amount of frogging necessary and potentially save you several hours of work.

The Fix

Think about the overall construction of your design and plan to include its shaping in your swatch.  This could include any increases or decreases planned for shaping a shawl, shaping the yoke of a sweater, or shaping the crown of a hat.

Mistake #3

Making The Swatch Too Small

very small crochet swatch

This is one of the main reasons a swatch will lie. Your finished design is probably not going to be a 4” square (the most commonly recommended swatch size) so it is likely to behave differently in its larger and heavier form, not to mention the minor changes in your gauge that come from the way you hold and work on a small piece of fabric versus a large one. Making a swatch that’s too small also makes it difficult to “see it all” depending on the stitch pattern, construction, and colors you choose. This is especially true for larger designs like sweaters, blankets, and large shawls. For example, I’m currently working on a shawl where my main stitch pattern is about 6 inches wide and 12” long. To minimize frogging I have to swatch the entire stitch pattern before I start trying to shape it into its full size.  

The Fix

Make your swatch as large as necessary within reason. Ensure your swatch size will give you a good idea of how your full stitch pattern or color pattern will look and how gravity and wear will affect it. The larger your designs finished size, pattern repeat, or color repeat, the larger your swatch should be. A 4” square can be a starting point, but I definitely wouldn’t recommend making a swatch smaller than that. 

Mistake #4

Making a Mistake in the Math 

At some point, you made a typo in the math, used the wrong number, used the wrong formula, or are missing a step of the calculations necessary to create your design. Let’s say you did the math for the construction of a circular yoke sweater but you forgot to check that the rate of your increases lined up with the multiple of your stitch pattern. As you get halfway down the yoke you may realize that things aren’t lining up and that you have to rip back several hours of work (ask me how I know…). 

The Fix

You can double and triple check your math, ask a friend to look it over, or pay a tech editor to check it before you start.


Why I Don’t Hate Frogging As Much Anymore

It comes down to a change in behavior and a change in mindset. My mental attitude towards frogging has changed therefore my relationship with frogging has changed. Don’t get me wrong, I still don’t like frogging whatsoever, but I’ve made changes to my behavior and my mindset that make it easier for me to deal with the times that I do end up ripping out hours of work.

2 Coping Mechanisms for Frogging

#1 A Change in Mindset

Accept Frogging as Part of The Process

mindset

Whether you’d like to admit it or not frogging is a part of the designing process and the sooner you make peace with that, the easier it will become. The decision to frog a design almost always comes from a blatant mistake or disconnect between your expectations and reality as the design progresses. This is all part of the learning process! Think about it, you’re working on creating something that has never been made before. You can do your best to plan, and avoid the major mistakes discussed above, but sometimes that’s not going to be enough. You’re testing something that is not only most likely new to you but also hopefully new to everyone! It would be ludicrous if you got everything right all of the time on the first try with no mistakes. While you can take steps to minimize frogging it is not completely avoidable altogether. It’s best to both acknowledge and accept its part in the process.

#2 A Change in Behavior

Calculate Your Time

Knowing how long it takes to create a design can be very helpful to put things into perspective. If you make a mistake at the end of your design and need to frog the entire thing, how much time will you lose exactly? Knowing these numbers upfront helps curb any impulsivity that’s urging you to rush through the swatching and planning process. It also helps when it comes to planning for deadlines. Take the time to swatch and plan your design. Use a spreadsheet to calculate how many total stitches are in your entire design. Once you’ve started making your sample set a timer for a few minutes. Working at a comfortable pace, see how many stitches you can complete before the timer goes off. The longer you time yourself the more accurate your predictions will be. For the ease of math, let’s say you timed yourself for a minute and you were able to create 20 stitches and you’re designing a blanket with a total of 20,000 stitches. 20,000 stitches / 20 stitches per minute = 1000 minutes worth of work to create the blanket which equals over 16 and a half hours. Knowing how much time you stand to lose makes it easier to slow down and plan properly and it also makes it easier to prepare for deadlines. Make sure you have enough days of padding to account for the possibility of having to frog more than half of the project.


I hope you found this post both informative and valuable. I hope this article will be able to save hundreds of designers thousands of hours.

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How to Choose A Yarn Base | Let’s Talk Fiber Content

How to Choose A Yarn Base

Let’s Talk Fiber Content

Why?

If substituting yarn in a pattern

Find a yarn similar in content and weight, so that it will behave in the pattern the way the designer intended. Each fiber content and blend of contents has characteristics that make them ideal for different reasons. If you have to make large changes, let’s say due to budget constraints, use the following information to understand how your changes will affect your final products.

If designing a pattern ask yourself

What is the purpose of the finished object? 

How and where will it be used / worn? 

How do you want it to behave? 

What utility will it have?

Use those answers with the knowledge of how fiber content behaves to make the best choice.

These are blanket generalizations as things like fiber quality, yarn weight and yarn structure will alter the effect of these fibers.

Fiber Content Categories

Natural, Semi Synthetic, Synthetic

Break down by 

Source – Look – Feel – Characteristics

Natural

Animal and Plant Fibers

Animal FibersVarious Wools from Hairy Mammals

  • Sheep
    • Source – Sheep (Many Breeds – Merino, Icelandic (Lopi), Shetland, Targhee
    • Look ranges from little to very fuzzy depending on preparation 
    • Feel ranges from soft to very itchy depending on quality
    • Characteristics 
      • good memory
      • good elasticity
      • resistant to moisture
      • moisture wicking
      • good insulation
      • good breathability
      • little to strong stitch definition
      • pills over time
      • moderately weak
  • Cashmere   
    • Source – Cashmere Goats (undercoat) expensive
    • Look – fuzzy, fine halo
    • Feel – very soft
    • Characteristics 
      • lightweight
      • good insulation
      • lower stitch definition
      • moderately weak
      • lower Breathability
      • pills easily
  • Alpaca 
    • Source – Alpaca Breeds – Huacaya (most popular, fluffy) Suri (less common, silky hair like locks)
    • Look – fuzzy, fine halo
    • Feel – very soft
    • Characteristics
      • very warm
      • lightweight
      • good drape
      • moderately weak
      • no memory- doesn’t hold shape well
      • grows with wear
  • Camel 
    • Source – Camel (undercoat)
    • Look – slightly fuzzy
    • Feel – very soft
    • Characteristics
      • very warm
      • lightweight
      • good drape
      • some memory
      • moderately weak
  • Llama 
    • Source – Llama (undercoat)
    • Look – slightly fuzzy
    • Feel – very soft
    • Characteristics
      • very warm
      • very light (hollow core)
      • good drape
      • little to no memory
      • moderately weak
  • Mohair 
    • Source – Angora Goat
    • Look – very fuzzy halo with a high luster and soft sheen
    • Feel – very soft
    • Characteristics
      • very warm
      • very light 
      • very durable
      • good elasticity
      • wrinkle resistant
      • decent drape
      • little to no stitch definition
  • Angora 
    • Source – Angora Rabbit (undercoat)
    • Look – very fuzzy halo with a high luster and soft sheen
    • Feel – very soft silky feel
    • Characteristics
      • very warm
      • very light 
      • decent drape
      • no elasticity
      • little to no stitch definition
      • felts easily
  • Yak  
    • Source – Yak (undercoat)
    • Look – fuzzy
    • Feel – very soft
    • Characteristics
      • very warm
      • very light 
      • decent drape
      • good breathability
      • moderate stitch definition
  • Qiviut 
    • Source – Musk Ox (undercoat)
    • Look – fuzzy with a fine halo
    • Feel – extremely soft
    • Characteristics
      • very warm
      • very light
      • felt resistant
      • Delicate
      • little stitch definition
  • Vicuna
    • Source Vicunaa cousin of the llama
    • Look – fuzzy with a fine halo
    • Feel – extremely soft – supposedly the softest in the world
    • Characteristics
      • very warm
      • very light
      • good drape
      • little to no memory
      • little stitch definition
  • Silk 
    • Source Silkworms (Wild Moths make Tussah Silk, Bombyx Mori fed Mulberry leaves make Mulberry Silk)
    • Look – shiny, lustrous, smooth
    • Feel – smooth silky
    • Characteristics
      • very strong 
      • absorbs moisture
      • no elasticity
      • dries quickly
      • good drape
      • good stitch definition

Plant Fibers

Cotton, Linen, and Hemp

  • Cotton 
    • Source – Cotton Plant
    • Look – smooth
    • Feel – ranges from moderate to very soft
    • Characteristics 
      • good breathability
      • little insulation making it a cooler fabric
      • strong and durable
      • easy care
      • good drape
      • absorbent
      • no elasticity
      • moderately heavy
      • high water retention causes it to stretch and sag
      • can be splitty
  • Mercerization – a chemical treatment to make cotton take dyes better
    • Characteristic Changes to the Cotton
      • Stronger
      • Higher Luster/Shine 
      • More Absorbant
  • Linen  
    • Source – Flax Plant
    • Look – straw like appearance with slight sheen
    • Feel – ranges from moderate to very rough, softens with washing
    • Characteristics
      • good breathability
      • thin and sheer 
      • good drape
      • great moisture wicking
      • drys quickly
      • little insulation making it a cooler fabric
      • very strong
      • easy care
      • smooth texture
      • low elasticity
      • wrinkles easily
  • Hemp 
    • Source – Hemp Plant
    • Look – straw like appearance with small thread like fly aways
    • Feel – ranges from moderate to very rough, softens with washing
    • Characteristics
      • very durable
      • easy care
      • little insulation making it a cooler fabric
      • resistant to wrinkles
      • moderately stiff
      • no elasticity

Semi-Synthetic Fibers

Rayon and Most Superwash Treated Wool

  • Rayon – (chemically processed cellulose fibers)
    • Source – cellulose fibers (commonly from various woods and plants like bamboo)
  • Two Main Chemical Processes
    • Viscose (can be used on label instead of rayon) – uses harsh chemicals on cellulose fibers
      • Viscose from bamboo (Ravelry states Rayon from Bamboo) 
      • Modal – made from “particularly high-quality cellulose” using the viscose process
    • Tencel – uses the lycocell process that involves a special solvent and less harsh chemicals
      • Look – smooth with a high shine and luster
      • Feel – very soft and silky
      • Characteristics
        • excellent drape
        • strong and durable
        • breathable
        • little insulation making it a cooler fabric
        • no elasticity
        • loses strength when wet
  • Most Superwash Treated Wool 
    • The Chlorine-Hercosett method is the most common form of Superwash Treatment. Wool is treated with harsh chemicals & then coated in a polymer based resin (becomes plastic).
      • Look – adds a slight shine/luster and smoother finish
      • Feel – adds a slightly softer feel
      • Characteristic Changes to the Wool
        • felt resistant
        • less elastic (grows with blocking)
        • heavier
        • very weak once coating wears off

Synthetic Fibers

Acrylic, Nylon, and Polyester

Petroleum based polymers (plastic) – use fossil fuels

  • Acrylic
    • Source – Polyacrylonitrile- petroleum based polymer resin (becomes plastic)
    • Look – slightly fuzzy
    • Feel – ranges from soft to very itchy
    • Characteristics 
      • lightweight
      • moderately warm
      • strong and durable
      • moderate elasticity
      • easy care
      • felt resistant
      • pilling ranges from little to moderate
      • resists wrinkles
      • drape ranges from little to moderate
      • sometimes squeaky to work with
  • Nylon 
    • Source – various synthetic polymers composed of polyamides (plastic)
    • Look – smooth and shiny
    • Feel – very soft
    • Characteristics 
      • very strong and durable
      • good elasticity
      • good drape
      • water repellant
      • pills easily
  • Polyester (chenille / faux fur)
    • Source – polyethylene terephthalate (a synthetic polymer)
    • Look – smooth and shiny
    • Feel – very soft
    • Characteristics 
      • strong and durable
      • holds hape
      • water repellant
      • dries fast
      • wrinkle resistant
      • easy care
      • little to no breathabilit

Please send me a message if you think I failed to include something important or if you think I used a faulty reference.

Important Considerations for Another How to Choose A Yarn Base Talk

Yarn Weight (thickness)

Yarn Construction (single, chainette, boucle) and Spin (thick and thin, woolen vs. worsted, z spin for crocheters)

Yarn Color/Novelry Appearances (tweed, heather, marled, variegated)

Environmental Impact (sustainability and carbon footprint)

References

Fiber Content Basics (references that include many fiber types)

https://www.marthastewart.com/1108119/choosing-knitting-yarn

https://spinoffmagazine.com/angora-myths-facts/

https://www.hemptopia.com/types-of-yarn/

https://www.spinderellas.com/fiber-facts#:~:text=Vicu%C3%B1a%20is%20world%20renowned%20for,animal%20fiber%20in%20the%20world

Cashmere

https://www.huffpost.com/entry/how-is-cashmere-made_n_5877de30e4b0b3c7a7b04b81

Camel

https://www.britannica.com/topic/camel-hair#:~:text=Camel%2Dhair%20fibre%20has%20greater,and%20is%20warm%20and%20comfortable

https://www.chemistryworld.com/news/camel-hair-shows-shape-memory-/1017333.article

Qiviut

https://www.qiviut.com/

Llama

Yak

Mohair

Vicuna

https://www.businessoffashion.com/articles/sustainability/inside-the-business-of-vicuna-the-wool-worth-more-than-gold

https://indianexpress.com/article/lifestyle/fashion/world-softest-vicuna-wool-extinction-5362390/

https://bellatory.com/clothing/The-Rarest-Fabric-in-the-World

Silk

https://yarnsub.com/articles/fibers/silk

https://www.silkbeddingdirect.com/tussah-silk-duvets-35-w.asp

Hemp

https://cfda.com/resources/materials/detail/hemp

Linen

https://www.britannica.com/technology/linen#:~:text=Linen%2C%20Fibre%2C%20yarn%2C%20and,discovered%20in%20ancient%20Egyptian%20tombs

http://www.madehow.com/Volume-4/Linen.html

Cotton

https://knitfarious.com/knitting-with-cotton-yarn-properties-uses-more/

https://www.britannica.com/technology/mercerization

http://blog.lionbrand.com/mercerized-cotton-yarn/

Semi Synthetic Fibers

https://bthechange.com/how-viscose-rayon-fabric-masquerades-as-bamboo-clothing-b-the-change-media-89f0e3038179

https://en.wikipedia.org/wiki/Bamboo

https://en.wikipedia.org/wiki/Rayon#Modal

Superwash Treatments

https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1478-4408.1975.tb03228.x

http://consciouslycrochet.com/truth-superwash-wool/#:~:text=The%20Hercosett%20Superwash

https://medium.com/@austinhoefs/when-wool-is-no-longer-wool-9925f2c7fcfe

https://www.making-stories.com/blog/why-is-superwash-yarn-not-sustainable

https://www.making-stories.com/blog/are-there-sustainable-superwash-options

%20Treatment,-For%20those%20who&text=To%20overcome%20such%20issues%2C%20the,more%20resistant%20to%20temperature%20changes

https://www.schoeller-wool.com/35588/Products/Industrial-yarns/EXP/index_group.aspx

GOTS Standard

https://www.global-standard.org/the-standard

Synthetic Fibers

https://en.wikipedia.org/wiki/Acrylic_fiber

http://polymerdatabase.com/Fibers/Acrylics.html#:~:text=Acrylic%20Fibers&text=For%20a%20fiber%20to%20be,vinyl%20acetate%20and%20methyl%20acrylate.&text=It%20is%20manufactured%20as%20a,hairs%2C%20and%20spun%20into%20yarns

https://www.epa.gov/sites/production/files/2016-09/documents/acrylonitrile.pdf

https://en.wikipedia.org/wiki/Nylon

https://en.wikipedia.org/wiki/Polyester